Plague Plays 🗓

OPEN TO STUDENTS FROM ALL CLINICAL DISCIPLINES

Plague Plays

If you are looking for a place to put your thoughts about the life we are living in medicine now join me for an informal reader’s theatre, called Plague Plays. Reader’s Theatre is a great way to interact with one another, a key text of our times, and themes raised therein. No pre-work is required although options will be provided.

We’ll have the option to read the original version of Camus’s The Plague side by side with a faithful dramatic rendering by the British Playwright Neil Bartlett. We’ll read the dramatic version on zoom together over four sessions.

We’ll try to strike a balance between literary and personal engagement with the text. In chaotic times, texts such as this can help us to find focus, meaning and respite.

We will offer optional writing prompts & exercises for those who are interested.

Dates and Times:
Mondays Feb 21, 28 and March 7, 14th  2022 from 7-8:30pm

Register for this course:
https://utoronto.zoom.us/meeting/register/tZwodemorD0oGtBu7TJ4GF7gt3E4AdBHXcws

After registering, you will receive a confirmation email containing information about joining the meeting.

Materials (please obtain your own copy).

1. Camus, The Plague. Stuart Gilbert Trans. Vintage International Edition.
2. Neil Bartlett, The Plague adaptation for the stage. Oberon Books London 2017.

You should obtain your own copy of Camus’s The Plague. We will distribute the script for reading together prior to the first session.

Suvendrini Lena, MD MPH FRCPC Neurology CSCN EEG
Katie van Kampen, MS2, BHSc

Dates and Times:

Mondays Feb 21, 28 and March 7 and 14th 2022 from 7-8:30pm on ZOOM

The Gould Standard Podcast from the Glenn Gould Foundation

One of our Health, Arts and Humanities Program  Community Partners-THE GLENN GOULD FOUNDATION – is offering free podcasts on music and the arts.

You can find the current episodes here:
https://www.glenngould.ca/thegouldstandard/
Episodes to date:
Ep. 1 & 2: Petula Clark
Ep. 2: Cory Doctorow
Ep. 4: Nyla Innuksuk
Ep. 5: Chilly Gonzales
Ep. 6: Tatiana Maslany

These can also be found with all the major podcast platforms such as Apple Podcasts, Spotify and Stitcher.  In addition to the full-length audio podcasts (which as you’ll see are quite in-depth conversations), people can experience just a quick sampling in the form of brief audiograms on our Youtube channel:

https://www.youtube.com/channel/UCyeNcs2Ao31H8KOCvUyRn4Q

The Gould Standard is a new, free-form conversational
podcast about the arts, culture, and contemporary society. We talk with artistic heroes  working to create a more inclusive and mindful world, hear their incredible
stories, and get to know what makes them tick.
The inspiration for the podcast is Glenn Gould and his legend,
which continues to resonate globally today.We are delighted to explore the lives, passions and works of our guests.
Our featured guests are leaders in a wide range of fields,
nationalities, and lived experience, including musical composers and performers, painters, poets, filmmakers, actors, dancers, broadcasters, and more.
________________________________________
Brian M. Levine
Executive Director
The Glenn Gould Foundation
69 Yonge Street, Suite 1401
Toronto, ON
M5E 1K3 Canada

T: +1 416 962-6200
E: brianlevine@glenngould.ca

www.glenngould.ca
@GlennGouldFndn on Twitter

Representations of Pain: An Online Exhibition and Event

From the Liberal Arts College, Concordia University (Montreal) :

We are thrilled to invite you to the launch of our interactive online installation, Representations of Pain, which interrogates representations and expands definitions of pain through a variety of media, from fine arts to the sciences. Curated by Thalia Stefaniuk, designed by Michael Ferrier, and based on Ariela Freedman’s research on pain and representation, this digital exhibition and event explores the many ways in which artists imagine and explore pain, grief, and suffering.

The work of Quinlan Deer, Jane Eyre Jordans, Christeen Francis, Alec Gandy, Cat Prince, Ms. Teri, Valentine Abraham, Anne Isabelle Leonard, Claire Ellen Paquet, Daniel Almeida, and Amanda Brown varies in subject and medium, but each one grapples with the language of pain, the articulation of suffering in body, mind, and culture, and the moments of relief provided by fantasy, beauty, and empathy. Explore the artists; attend the symposium; participate in an interactive performance. See the poster attached for dates and register for our symposium on the home page, and for interactive performances on Valentine Abraham and Anne Isabelle Leonard’s artist pages.

In this moment of pandemic anxiety and political reckoning, as we isolate from one another in a global time of suffering, and struggle to come together for social change, our hope is this exhibition will provide beauty, community and solace.

Follow us on instagram for updates.

best,

Thalia Stefaniuk
Michael Ferrier
Ariela Freedman

www.representationsofpain.com

Improv and the Performance of Medicine – 4 Sessions 🗓

The Performance of Medicine:

Medicine, like theatre, is both an art form and a skill set; clinical interactions and patient encounters combine unpredictable situations, information-gathering, and a need for adaptability (Watson, 2011). Applied drama and improv uses the principles, tools, and practices of theatre in non-theatrical settings for the purposes of skill building, reflection, and innovation. Through applied drama and improvisation, participants will experience how clinical competencies and CanMEDS roles can be enhanced through playful, embodied learning. Engagement with these sessions aim to raise a critical consciousness, develop personal awareness, and build community/support. Throughout the four sessions we will engage with serious play and reflective practice through creative exploration. No previous theatre, improv, or performance experience required.

RSVP: Jafine@mcmaster.ca

Zoom link: https://mcmaster.zoom.us/j/99771861191

The Performance of Medicine Dates*

        Jan 27, 2021 6:00 – 7:30 PM

        Feb 24, 2021 6:00 – 7:30 PM

        Mar 31, 2021 6:00 – 7:30 PM

        Apr 28, 2021 6:00 – 7:30 PM

*Signing up confirms attendance at all 4 sessions.

 
Hartley Jafine
Facilitator, Bachelor of Health Sciences (Honours) and Arts & Science Program
Lecturer (Part-Time), Department of Family Medicine
McMaster University
 
Communication Coach
Post MD Education – Postgraduate Medical Education
Faculty of Medicine, University of Toronto
 
Interprofessional Arts-Based Learning Specialist
Baycrest Centre for Learning, Research & Innovation in Long-Term Care

JHI Program for the Arts 2020-2021 FUNDING Deadline Extended

FROM THE JACKMAN HUMANITIES INSTITUTE

Dear Colleagues:
The deadline for applications for funding in 2020-2021 for the JHI Program for the Arts is now extended to 15 April 2020 at midnight. A couple of provisions have also been adjusted to make it possible to fund online events and to encourage applicants to consider contingency plans for their events, should regular operations not be feasible when the time comes.
Applications are welcome from all continuing teaching and research members of the faculty.
Could you please share the revised Call for Applications (attached, and copied in below this message) with your mailing list to faculty members?
Sincerely,
Kim

—–
Dr. Kimberley Yates, Associate Director
Jackman Humanities Institute, University of Toronto
170 St. George Street, Room 1029
Toronto, ON M5R 2M8
—————————————————————–

 Call for Proposals — REVISED

The Jackman Humanities Institute Program for the Arts, 2020-2021

 Deadline for applications: EXTENDED TO 15 APRIL 

The Jackman Humanities Institute Program for the Arts supports a range of events from small (up to $3000) to larger (up to $10,000) designed to enhance, improve and raise the profile of the Arts at the University. Activities may include visitors, lecture series, symposia, exhibitions, performances, or other imaginative and arts initiatives, which will serve to foster the work of the Jackman Humanities Institute and to represent the leading scholarship of the humanities at the University of Toronto. Each year there will be a priority for at least one event that engages the wider public. The Program gives priority to activities that range across multiple units and across more than one campus. It does not support activities that are routine matters of the sort that individual academic units would normally fund (e.g. departmental colloquia, learned society meetings, etc.). The Program also prefers activities that are related to the 2020-2021 theme—Collectives—but will consider proposals with other foci. Applications will be evaluated for conceptual fit, methodology, and research outputs.  

Proposals that include contingency plans for remote access, or are designed to run via remote access will be given priority. 

2020 – 2021: Collectives

From political parties to literary coteries, from fan groups to sports teams, from terrorist organizations to online groups, our collectives, associations, and communities are multiform and complex. How do we band together and why? In teaming up, how does membership of a collective affect one’s own agency and standing – what do we lose, what do we gain? Can collectives truly be agents and how do group dynamics emerge? How do we balance the interests between collectives, of individuals and collectives, and of the individual within the collective?

 Applications are invited from appointed members of the continuing research and teaching faculty at the University of Toronto.  To apply:

1.     You must have an active userID account on the JHI website

https://humanities.utoronto.ca

2.     Complete the online application form at
https://humanities.utoronto.ca/funding/20-21_Program_for_the_Arts

3.     Upload a description and rationale including fit with 2020-2021 annual theme of Collectives

(500 words—FIRM limit on length)

4.     Upload a proposed budget outline showing all known sources of support 

To clarify some of the preferences of the Program the following guidelines will normally apply:

1.     Funding will be awarded from $1,000-$3,000 (small), $3,000-$5,000 (medium) or up to $10,000 (large). Projects with a total budget (including all sources) over $30,000 will not be supported.

2.     Interdisciplinary activities that reach across units, and across campuses are given priority.

3.     Subventions for academic publishing will not be considered at this time; exhibition catalogues that are part of a larger academic event are the only publication that will be considered for funding.

4.     Significant costs (over $3,000) for performers will not be funded.

 

5.     Events of an annual or continual nature that have previously been funded through the Jackman Humanities Institute Program for the Arts are normally eligible for one repeat year of funding; this need not be sequential.

6.     The JHI provides basic publicity package (in-house colour flyer on request, website event posting, JHI social media and newsletter, email announcement to departments and relevant EDU’s), and will make available the first-floor multipurpose room (seats 100) and tenth-floor meeting room (seats 25; weekdays 9-4 only) to all funded events.

7.     Costs for publicity and space rental will not normally be accepted as fundable budget items. A/V recordings of events funded by the Program for the Arts should be included as a regularly budgeted item in the budget proposal with an explanation of the research or pedagogical need for the recording included in the Description and Rationale document. The responsibility for arranging recordings will lie with the event organizer.

8.     Due to COVID-19 precautions, for 2020-2021, proposals that include either a contingency plan for remote access, or are designed to run via remote access, will be given priority. 

Questions?

For clarifications about this program, please contact JHI Director Professor Alison Keith at

jhi.director@utoronto.ca

For website assistance, please contact JHI Associate Director Dr. Kimberley Yates at jhi.associate@utoronto.ca

 

Applications due: Wednesday 15 April 2020 at midnight

TEN FREE TICKETS for Students-Glenn Gould Foundation Music and Medicine Event, March 4th, 2020

The Program In Health, Arts and Humanities has been offered 10 free tickets for medical students/residents to this March 4th MUSIC AND MEDICINE event :

“In Conversation with James Rhodes”

Please RSVP  to: allan.peterkin@utoronto.ca

First come, first served. Please commit to attend if you are accepting one of the comps.There are no print tickets.Your names will be provided to the Glenn  Gould Foundation. Please check in at the Isabel Bader Box Office.

Famed British Pianist James Rhodes – Canadian Debut Concert & Conversation on Music and Healing

The Glenn Gould Foundation presents two remarkable events featuring Britain’s most original pianist, James Rhodes.

James Rhodes rocketed to fame with the publication of his book Instrumental, a brutally honest, moving and compelling story  in which he explains how music saved his life. Instrumental is now being adapted into a major motion picture featuring Andrew Garfield. With passion, wit and musical brilliance, James makes the classics irresistible to new audiences as well as seasoned concertgoers.

Don’t miss, “In Conversation with James Rhodes” James shares his vision of the power of classical music to connect with the human spirit, inspire and transform lives.
March 4, 2020, 7:30 p.m. – Ten Free Tickets for Medical Students/Residents. Then tickets are $25.
Isabel Bader Theatre, 93 Charles St. W.

Also, consider attending : James Rhodes’ Canadian Debut recital, “The Beethoven Revolution”
March 5, 2020, 8:00 p.m. – Tickets $35.
110 Koerner Hall, Royal Conservatory of Music, 273 Bloor St. W.

For information and to purchase tickets go to: www.glenngould.ca

with thanks to : Brian M. Levine
Executive Director
The Glenn Gould Foundation
69 Yonge Street, Suite 1401
Toronto, ON
M5E 1K3 Canada

T: +1 416 962-6200
E: brianlevine@glenngould.ca

www.glenngould.ca
@GlennGouldFndn on Twitter

Glenn Gould Foundation Music and Medicine Event, March 4th, 2020

Famed British Pianist James Rhodes – Canadian Debut Concert & Conversation on Music and Healing

The Glenn Gould Foundation presents two remarkable events featuring Britain’s most original pianist, James Rhodes.
 
James Rhodes rocketed to fame with the publication of his book Instrumental, a brutally honest, moving and compelling story  in which he explains how music saved his life. Instrumental is now being adapted into a major motion picture featuring Andrew Garfield. With passion, wit and musical brilliance, James makes the classics irresistible to new audiences as well as seasoned concertgoers.

Don’t miss, “In Conversation with James Rhodes” 
James shares his vision of the power of classical music to connect with the human spirit, inspire and transform lives.
March 4, 2020, 7:30 p.m. – Tickets $25
Isabel Bader Theatre, 93 Charles St. W.

and James Rhodes’ Canadian Debut recital, “The Beethoven Revolution”
March 5, 2020, 8:00 p.m. – Tickets $35-110
Koerner Hall, Royal Conservatory of Music, 273 Bloor St. W.
For information and to purchase tickets go to: www.glenngould.ca
________________________________________
Brian M. Levine
Executive Director
The Glenn Gould Foundation
69 Yonge Street, Suite 1401
Toronto, ON
M5E 1K3 CanadaT: +1 416 962-6200
E: brianlevine@glenngould.ca

Student Focus Group March 3, 2020 – Tafelmusik Baroque Orchestra

An exciting invitation for  University of Toronto students in the health professions and medical residents, from Tafelmusik, one of our Health, Arts and Humanities Program partners.

ARE YOU A STUDENT INTERESTED IN ARTS AND CULTURE?

Tafelmusik Baroque Orchestra is seeking participants for its first-ever student focus group. Come share your thoughts for a chance to win a $50 Metro gift card – No one can say no to free groceries!

The session will last 90 minutes and will provide an opportunity for us to understand your needs and expectations with regards to arts and culture. The insights we hope to gather from you will help future Tafelmusik programs better reflect the needs of students today. At Tafelmusik, we believe your feedback is instrumental and we hope you will join us for this discussion.

March 3, 2020
4:45-6:15pm
Room 215, Faculty of Music, the University of Toronto (here)
Light refreshments will be served

Additional details will be sent before the focus group to those confirming attendance.

For questions, or to confirm your participation, email engage@tafelmusik.org or call 416 965 9562 x241.

TAFELMUSIK
Baroque Orchestra & Chamber Choir
427 Bloor St West, Box 14, Toronto, ON  M5S 1X7

Music and Medicine – Tafelmusik tickets for medical students and residents

The Program In Health, Arts and Humanities has secured an exciting  partnership with Tafelmusik. They have kindly offered to provide 20 complimentary tickets to concerts (on a first come first served basis) for medical students and residents. After that quota has been reached, they will offer reduced pricing for tickets for our University of Toronto trainees.

DETAILS FOR THE NEXT PERFORMANCE :

  1. 20 complimentary tickets, first come, first served to the Friday, February 7 or Saturday, February 8 concert of Dreaming Jupiter. Students and residents  would then be able to purchase tickets at $20, which is the lowest priced ticket. Students can email their requests directly to :
    llancellotta@tafelmusik.org and Laëtitia will kindly make the ticketing arrangements.

     

  2. Depending on musician availability and student interest, Tafelmusik may also be  able to organize a meet-and-greet at intermission to enhance the concert experience.

Our contact is :

Laëtitia Lancellotta
Education & Outreach Coordinator  

TAFELMUSIK
Baroque Orchestra & Chamber Choir
427 Bloor St West, Box 14, Toronto, ON  M5S 1X7
T: (416) 964-9562 x241 | E: llancellotta@tafelmusik.org

 

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PERFORMING PSYCHIATRY – January 16, 2020

REMINDER:

It’s back!

PERFORMING PSYCHIATRY 

 January 16, 2020, at Innis Town Hall 
Call for Submissions deadline is December 13, 2019

MC: David Goldbloom OC, MD, FRCPC

Celebrating our Department’s Creativity & Artistry

Calling all psychiatry residentsfaculty, & hospital staff to present live performances & visual art! If you have never performed that wonderful pirouette, shown your funky visual art, or played the bandoleon along with your colleagues, you are missing out!

Performing Psychiatry celebrates the creativity, artistry, and talent in our students, residents, fellows and colleagues from all mental health disciplines within the Department of Psychiatry in an evening of multi-media exhibitions and performance. Performance pieces (less than 10 minutes) including music, theatre, dance, storytelling or readings and visual media submissions are invited.

Click for the Submission Form

Please contact facdevcppd.psych@utoronto.ca for further details!

Palette Magazine : Call for Submissions for UofT Med Student Magazine

Palette Magazine, your local source for arts and culture from our U of T Med community, is back and better than ever!
This year, there are even more opportunities to share your creative talents, as we are expanding to release not one but two issues! We are happy to announce that submissions are now open for our first issue, which will be printed and released in January 2020.
We’re looking to include all kinds of self-expression in our next issue, including visual arts, creative writing, performance arts, lifestyle design, and almost anything else you can think of!
If you are interested in having your creative work included in our next issue, send your submissions to palette.utoronto@gmail.com. The deadline for submission is November 13th, 2019 @11:59 pm. See below for our submission guidelines and Issue 1!